The new L’Ark office building in the Bordeaux Belvédère district, designed by Cino Zucchi Architetti, stands as a testament to the city's ongoing architectural renaissance, integrating contemporary design with a deep respect for the city's urban fabric.
LOCATION
France, Bordeaux
STATUS
Built
YEAR
2017-2023
CLIENT
Nexity, Altarea Cogedim, Pitch Promotion
CATEGORY
Offices & Headquarters
The disposition on the ground and the typological layout of the L’Ark office building articulate and specify the general masterplan guidelines in relationship to the specific features of the site and of the overall design of the open spaces.
The large dimension of the building mass is articulated folding its perimeter inwards to generate a layout which unites the H-shaped scheme to a centralized one. The shorter sides of the parallelepiped shape – facing the Boulevard and the park behind it – fold into two gentle concave curves.
The continuous perimeter “skin” is divided in several layers which donates depth, strong light and shadow effect: the inner wall alternates a ribbon window band with an opaque one faced by anodized aluminum shading elements reacting with the weather conditions.
Central to the Ark’s design is a geometric grid that manifests in physical elements such as color, texture, and form. This formal orchestration ensures the building responds gracefully to the variations in natural light throughout the day and across seasons, as well as the spatial and functional needs of its users.
The columns in the facades varying in thickness and rhythm at irregular intervals, are arranged in seven irregular orders signed by string-course cornice. The shape of the columns accentuated by the slight undercut of the bands generates a screen that gives at the same time volume and depth to the building’s facades. The top order connects the last two levels while opens a recess that hosts a protected terrace-garden.
Axonometry
These columns are not merely structural but also highly expressive, crafted one by one from concrete with a texture and color that reference Bordeaux’s historic stone. Their design balances classical proportions with a contemporary aesthetic.
They were shaped inside formwork made with numerical control manufacturing technologies that has permitted to transfer and control the continuous variation of some compositional parameters with which they were designed. In their massive essence the result is almost a free-standing structural screen.
The project is able to evokes French and Bordeaux’s architecture elements without any nostalgic spirit – as for example the atrium columns that recall the angular Trompes of French architecture – but takes a contemporary approach.